
White Pottery Plate with Stamped Designs
———— Magical Implement Used in Early Human Sacrificial Rites
Neolithic Age
Height: 7.3cm; Diameter at Mouth: 19cm
Unearthed at Tangjiagang, Anxiang County, in 1978
This is a magical implement used in early human sacrificial rites and is the earliest white pottery utensil discovered up to now, dated at 6500-7000 years old. The pottery plate is made of clay with a relatively high magnesium content. The clay body is clean and pure, indicating that the process of selecting and rinsing clay had reached a fairly high level at that time. This plate has an inward mouth rim, a gradual diminutive body and an outwardly splaying base that corresponds to the shape of the main body. The surface of the body is covered with different designs, forming rings of X-shaped, circular, triangular or S-shaped designs. Between two rings of S-shaped designs on the base can be found fairly regular imprinted octagonal star designs, and in the square frames in the center of the octagonal star designs can be found imprinted rotary cross designs. This makes the whole round base appear like a radiantly shining picture that centers around the octagonal stars.
Judging by its elaborate craftsmanship and decoration, this white pottery plate is not an ordinary daily utensil. The white pottery artifacts unearthed at the Tangjiagang Ruins, though limited in number, have very fine clay body that indicates a very careful production process from raw material selection to firing. The color white is one that contains all the colors in the spectrum and is usually considered as “colorless”. It symbolizes purity and sacredness. Using white pottery in sacrificial ceremonies not only shows one’s respect to gods but also enables one to acquire a supernatural power. The designs on this pottery plate are the symbols of reaching the supernatural, because octagonal stars are considered as the radiating sun. In the prehistoric age when everything had its divine power, the primitive people worshiped the sun to express their worship of light. Artifacts from the mid and late Neolithic age all have such octagonal star-sun designs. Examples are the pottery ewer unearthed in Songze, Zhejiang, the pottery dou unearthed from the Dawenkou Ruins in Shandong, the pottery plate unearthed from the Dadunzi Ruins in Jiangsu, and the pottery ewer unearthed from the ancient well in Lake Cheng of Jiangsu Province. This design also appears in the Neolithic jade artifacts unearthed from Lingjiatan, Hanshan, Anhui Province and Liangzhu Culture in Zhejiang. This shows a widespread pursuit of light at that time. The inward mouth rim can hold more food during sacrificial ceremonies. A careful study of the decorative part of the designs shows that one can have a full view of this white pottery plate only when it is raised above one’s eye-level. This can also be interpreted as that during the sacrificial ceremonies one had to hold up this white pottery plate above his head before he could see the octagonal stars, show his piety and reach the supernatural.

Red Pottery Gui
————Bird-shaped Pottery Utensil of 4000 Years Ago
Neolithic Age
Height: 28.3cm
Unearthed at Daiziping, Xiangxiang County in 1980
This is a pottery cooking utensil from the Neolithic age. Uniquely shaped, it has a long neck, bag-shaped legs, a sprout molded out by hand, and a band-shaped handle for grip. Its deep belly is attached to three bag-shaped legs. The legs of gui can be either hollow or solid, and the legs of this gui are hollow and attached to its belly. When fire is burning beneath the belly, water inside the legs can be heated very quickly. At the same time, the pointed tip of each leg, while maintaining the stability of this utensil, reduces the contact surface between the utensil and the ground and thus slows down the cooling process of the food inside.
Gui is a utensil invented by the prehistoric Dongyi people for heating water, practical yet beautiful. The Dongyi people worshiped the bird idols and therefore shaped their beloved gui into bird images of different kinds. Some are shaped like birds ready to take off and some are like crowing cocks. Such original and lively shapes bear strong local color. Because of their unique features, gui were imitated by neighboring tribes and artifacts similar to gui have been discovered in Neolithic ruins of Jiangsu, Zhejiang, Anhui, Henan, Hubei and Jiangxi. This gui was unearthed from the Shijiahe Cultural Ruins in Hunan, which is a late Neolithic culture in the middle reach of the Yangtze River 4000 to 4600 years ago. The excavation of this red pottery gui also shows the influence of Dongyi culture in this region. This gui still retains some bird features: its sprout is shaped like bird beak and its three legs are transformed from the two feet and tail of the bird. However, it differs greatly from the horizontal ones from the southeast coastal regions of China. This gui is cinnabar-colored all over, caused by the oxidization of the high content of iron in its roughcast during the firing process. Its smooth surface shows that the potter did some after-treatment such as burnishing and polishing to prevent its unglazed surface from appearing coarse.